其中，胡塞尔的现象学哲学是它最主要的理论背景，这 使它 显示 出明显的现象学文学批评特征。
Among which, Edmund Husserl's Phenomenology is the most important theory background, which makes it displays the clear characters of phenomenological literary criticism.
作为存在主义美学的代表人物，萨特继承了笛卡尔的我思传统和胡塞尔的现象学方法，把自己的理论建立在非反思意识的基础上。
Sartre, an important representative of existentialism aesthetics, inherited the tradition cogito of Descarte and phenomenology of Husserl, established his theory on pre-reflective consciousness.
就此我们对我们能发见的现象有了概念，譬如，胡塞尔的“现象学”和海德格尔的“现象学”还有他的“相对与绝对”。
Thus we arrive at the idea of the pllenomenon such as we can find, for example in the "phenomenology" of Husserl or of Heidegger-the phenomenon or the relative-absolute.
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