它其实是一本高质量、异常严谨的咖啡桌书籍,写作的初衷是让读者大致浏览里面的内容,而不是从头读到尾。
It turns out to be a sort of high-quality, unusually rigorous coffee-table book, designed to be dipped into rather than read from beginning to end.
保持一致——除非你的写作风格是一而贯之的,否则读者永远不能识别它。
Be consistent - readers won't come to recognize your writing style unless it's consistent.
它看起来更像是一个数字杂志摊而并非个性化定制的杂志,读者可以向不同的出版商订阅电子杂志,但每次只能读到其中一篇文章而不是读照单全读。
It is more like a digital news-stand than a personalised magazine: users can subscribe to various publications, but must read each one separately instead of seeing all their stories together.
If the surprises are too great, then they induce overstrain and we throw away the book in frustration and despair.
如果令人惊讶之处过多,则会导致读者过劳,最后因失望或绝望而抛开它。
By the same token, if literature has effects, it must have effects on someone, and this gives rise to the equally interesting and vexing question, "What is a reader?"
同样,如果文学史有影响的,它一定会对某些人产生影响,它也会引出一个同样有趣,而恼人的问题,“读者是谁?“
It's almost as if the entire point of a pastoral is that it is set in a world that neither the urbane poet nor the urbane reader has actually any real experience with.
似乎田园诗的全部意义就在于它的背景设在田园,而不管是都市诗人还是都市读者,都没有任何实际的田园经历。
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