我们从历史的层面上对悲剧进行剖析，对有关悲剧理论进行史的考察，对一些公认的悲剧作品进行分析，可以抽绎出悲剧的本质特征，从美学本质上对悲剧进行定位。
We can draw up the basic characteristics of tragedy in term of aesthetics if we probe into the history of theories of tragedy and analyze the generally recognized tragic works.
第三部分概括了“心”的美学意义，考察了“心”这一美学范畴提出的历史背景，并追踪了其对后世的影响。
The third part generalized the esthetic meaning of the "heart" and investigated the historical background of the birth of the esthetic category about the "heart" and tracked its influence to future.
通过考察席勒文艺美学思想本身发现，席勒坚持一种不同于传统的理想化审美。
It is concluded from the study of Schiller s thought in his artistic aesthetic that he adhered to ideal aesthetics different to the traditional.
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