由于他的小说以第一人称叙事，叙事的腔调尤其重要，因此他会从不同人物的角度写上几个章节，对叙事者进行“试听”。
Since his novels are written in the first person, the voice is crucial, so he 'auditions' narrators by writing a few chapters from different characters' points of view.
不过要把叙述整部作品的重任都放到不可靠的第一人称叙事者那摇晃的肩膀上去，也的确需要作家的自我克制，和对读者的信任。
Surely, it takes much more restraint-and far more faith in one's readers-to place the full heft of a book in the bumbling hands of an unreliable first person.
游戏者也经常在居于自己身体的第一人称视角与身体之外的第三人称之间转换，但从未与梦境中远处的见证者有平静的分离。
The gamers also frequently flipped between a first person view from within the body and a third person view of themselves from outside, except never with the calm detachment of a distant witness.
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