积墨，中国画技法名。指山水画用墨由淡而浓、逐渐渍染的方法。北宋郭熙《林泉高致》：“用淡墨六七加而成深，即墨色滋润而不枯。”作为一种技法和语汇，积墨在水墨画的发展及新面貌的形成上具有特殊重要性，尤其是在山水画领域。
... Backing And Lining (Lining Up) 起脊加衬 Backing Away 积墨 Backing Up 反面印刷 ...
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The innovation and development is so dependent on the use of techniques of drawing that the piled-ink skill is concerning both the techniques of ink and drawing, even the latter with more proportionate.
积墨法的创新与发展很大程度上依靠笔法的开创,怎样的积墨方法就决定了怎样的积墨效果,故积墨不仅是墨法也是笔法,甚至笔法的成分更重一些。
参考来源 - 积墨法新探This thesis take Yang’s orchestral work, Desert at dusk , as his research object, rely on three words in chinese painting, which was amass ink, break ink , spill ink, all for explain this skill.
本文以杨立青的管弦乐作品《荒漠暮色》作为研究对象,借用了中国画用墨技法中的三个名词“积墨、破墨、泼墨”来解释和阐述这部作品中的几种管弦乐配器技法。
参考来源 - 积墨·破墨·泼墨·2,447,543篇论文数据，部分数据来源于NoteExpress
笔法墨法进一步丰富，尤其是积墨法的成功运用，增强了笔的表现力。
Especially his successful use of accumulate-ink method highlights the expression of brush.
通过这种对龚贤积墨法具体而微的个案研究，有助于我们更好的理解中国画笔墨语言自身的创造性和演进方式。
The miniatural research of Gong virtuous accumulated ink law is helpful for us to understand the creativity and the evolution way of Chinese traditional painting.
本文以杨立青的管弦乐作品《荒漠暮色》作为研究对象，借用了中国画用墨技法中的三个名词“积墨、破墨、泼墨”来解释和阐述这部作品中的几种管弦乐配器技法。
This thesis take Yang's orchestral work, Desert at dusk, as his research object, rely on three words in Chinese painting, which was amass ink, break ink, spill ink, all for explain this skill.
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