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一直以来，秧歌作为我国民间“庙会”、“社火”中的歌舞戏沿承了正统的仪式性，同时又具有节庆狂欢化的反仪式特征。
All along, Yangge as an singing and dancing drama of civilian "temple fair", "gam" evolutes traditional ceremony, and takes on anti-ceremony characteristic of festival bashing.
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