谓从精神上去感知事物或事理。语出《庄子·养生主》：“臣以神遇，而不以目视。” 陆德明 释文引 向秀 曰：“暗与理会谓之神遇。” 宋 张邦基 《墨庄漫录》卷十：“凡用笔日益习熟，日有所悟，悟之益深，心手日益神妙矣。力在手中而不在手中，必须用力而不得用力，应须在意而不得在意，此可以神遇而不可以言传也。”
As an aesthetic way, spiritual perception makes artistic construction through aesthetic imagination.
神遇作为审美体悟方式通过审美想象进行艺术构造。
参考来源 - 神遇的审美体悟方式研究"The god meets" refers is in painter's brains breeds the estheticimage artistic idea, "the mark" refers is the utilization certainshape method, changes into outside the painter brains in estheticimage the artistic image the artistic transmission activity.
“神遇”指的是画家的头脑中孕育审美意象的艺术构思活动，“迹化”指的是运用一定的造形手段，将画家头脑中的审美意象外化为艺术形象的艺术传达活动。
参考来源 - “神遇”与“迹化”·2,447,543篇论文数据，部分数据来源于NoteExpress
神遇对后世审美创造理论产生了深远的影响。
Spiritual perception has deep influence on the later theory of the aesthetic creation.
与其他遇战疯次阶神一样，云-内舍尔被遇战疯万神殿当中的最高神云-遇战创造。
As with all of the lesser Yuuzhan Vong gods, Yun-Ne 'shel was created by Yun-Yuuzhan, the chief deity of the Yuuzhan Vong pantheon.
高等种姓的遇战疯人轻蔑地把她称为“哭泣者的千眼母亲“，不过很少有人这么做，而且就算这么做了，他们也是小心翼翼——即是是被放逐者的女神也仍然是一位女神。
Upper caste Yuuzhan Vong derisively called her the "Many Eyed Mother of Snivelers", though this was rare, and even then they were cautious about it—even a goddess of outcasts was still a goddess.
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