早期的美国画家将西部描绘成马车队和牛仔们的乐土，创造出随后哺育了电影制作者想象力的视觉神话。

Early US artists painted the west as a fantasy land of wagon trains and cowboys, creating the visual myths that later fed the imaginations of film-makers.

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作者用这三则神话突出表明，在这个特定时期，具有女性特质的文化相对于具有男性特质的文化的优越。

The author uses these three enunciations with outstanding myth, particular period have female characteristic culture here opposite in have male characteristic of culture of superiority.

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这位作者的策略，他企图反对人们去保罗的教会,教授的所有神话和修行。

The strategy,then,of this author, he's trying to argue against all kinds of myths and practices that somebody's going through Paul's churches and teaching.

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And if this myth of origins were the fabrication of a later writer, then surely they would have written the story in such a way as to give their ancestors a less tenuous hold or claim, connection, to the land.

如果这个神话的开端是后世作者伪造的，那他们当然会像这样在故事中赋予其祖先较强的控制力,或者说所有权，建立其与这片土地较为紧密的联系。

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