文学语言具有模糊性的特点，作品的“不确定性”与“空白点”或“未定点”促使读者参与作品意义的构成。
The literary language is characteristic of fuzziness, indefiniteness and blank points or undecided points which make the reader engaged in meaning construction of the works.
事实上，许多精心设计的语言是完全确定性的，根本不需要前向环视。
In fact, many well designed languages are fully deterministic and require no lookahead at all.
以罗伯特。库弗的《保姆》为例，从情节、语言、现实等维度来详细阐释后现代主义小说的不确定性。
Taking Robert Coover's The Babysitter for example, this paper illustrates the above point from three aspects of plot, language, and reality.
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