批评家的知识和训练，更确切地说，是一种认知和情感能力的准备，这是对艺术作品自身独有品质作出适当的个人反馈所必需的。
The critic's knowledge and training are, rather, a preparation of the cognitive and emotional abilities needed for an adequate personal response to an artwork's own particular qualities.
但我们不掌握确切解释这些信号的科学知识。
But we do not have the scientific knowledge to interpret these signals with certainty.
最好的例子就是埃斯库洛斯的教导我们，教训能使人从激情转而理想，更为确切地说，从苦痛的经验到经验的知识。
In the best case, Aeschylus teaches, the lesson enables one to move from passion to reason, or, more precisely, from the experience of suffering to the knowledge of that experience.
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