Servais(1807-1866) 来自比利时,被白辽士称为大提琴中的帕格尼尼,他最值得一提的事就是发明了大提琴的琴脚(end-pin),让之后的大提琴演奏者可以不用把琴放在两膝中,而是用个可伸缩的琴脚来定在地上。他本身是拉一把1701年的S.
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琴脚设计呈锥形,最底下套有黄铜金属环,呈现出尊贵气派。
The tapered legs, each fitted with a brass ferrule caps the bottom, appear elegant.
依然穿着音乐会演奏穿的平底鞋,我一脚踩空,摔了个仰巴丫,琴盒成了我的雪橇。
Still wearing my flat-soled concert shoes, I lost my footing and took the entire flight on my back in classic slapstick fashion, riding the violin case like a sledge.
感谢一次国际爱心的筹款运动,琴的脚得到了救助,琴在广州的南方医院和朋友们在一起。
Qin recuperating with friends in hospital in Guangzhou after an international fund raising campaign to pay for her operation.
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