现代诗也叫“白话诗”,最早可追源到清末,是诗歌的一种,与古典诗歌相比而言,虽都为感于物而作,但一般不拘格式和韵律。 现代诗形式自由,意涵丰富,意象经营重于修辞运用,完全突破了古诗“温柔敦厚,哀而不怨”的特点,更加强调自由开放和直率陈述与进行“可感与不可感之间”的沟通。
标题 关键词:余光中;现代诗;诗坛祭酒 [gap=547]Key words:Yu Guangzhong; modern poetry; a sage in poetry
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我对现代诗所知甚少。
这里是另一幅现代诗的照片。
不管这个难点是什么,大家都公认现代诗难懂。
Whatever else it may be, everyone's always agreed that modern poetry is difficult.
Finally, I think it can be said that it's a poem whose deepest investmentis actually in Milton's mastery over the entire Western tradition of literature.
最后,我要说的是,这是一首弥尔顿对自身对于现代文学传统的,写作技巧苦心经营的诗。
In Stevens, modernity shows us that the truth of religion was always a fiction, a fundamentally poetic construction.
在史蒂文斯的诗里,现代性向我们展示了,宗教的真理不过是虚构之言,是最基本的诗意创作。
All of this has to be yoked together in the imagery of a good poem, particularly of a metaphysical poem, and this model of complexity is what matters both for modern literature and for literary criticism.
一首好诗,的应该融合这些意象,尤其一首玄学诗,同时,这种复杂性,在现代文学,和文学批评中都十分重要。
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