在20世纪70年代末，一切都得新奇、现代、有创意。
In the late Seventies, things had to be new, modern, revolutionary.
对于荷兰人来说，希尔弗瑟姆的一切都是关于纺织和传媒行业，以及现代建筑。
For Dutch people, Hilversum is all about textile and media industries, and modern architecture.
最早的现代批评家们察觉到，在某种程度上它们与后来的一切都有着本质上的不同——甚至它们有点奇怪。
The earliest modern critics sensed that they were somehow qualitatively different from everything that came after—even a little strange.
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