王庆松，中国当代摄影艺术家，毕业于四川美术学院油画系，作品被西班牙Billstone基金会、美国加州圣地亚哥美术馆、美国迈阿密Cisneros基金会等收藏。
王庆松将他自己定为“宫女”和车夫的地位，拉着西方乘客走向一名挥动着一面中国小旗的男子。
Wang Qingsong positions himself as court lady and rickshaw driver, carrying his Western passenger towards a man waving a small flag of communist China.
这些照片在事后补拍，对王庆松产生了重大影响，这可以在他作品中仔细的构图和故意的人为性中看出来。
The fact that many of these photographs were re-staged after the event greatly influenced Wang Qingsong and is evident in the careful composition and deliberate artificiality in his work.
不仅仅是为西方文化帝国主义而不满，王庆松还从视觉上解构了中国在构建其外表上的“新面孔”过程中的共谋关系。
More than simply bemoaning Western cultural imperialism, Wang Qingsong's optic deconstructs China's complicity in the fraught construction of its superficial new "face."
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