王庆松，中国当代摄影艺术家，毕业于四川美术学院油画系，作品被西班牙Billstone基金会、美国加州圣地亚哥美术馆、美国迈阿密Cisneros基金会等收藏。
这些照片在事后补拍，对王庆松产生了重大影响，这可以在他作品中仔细的构图和故意的人为性中看出来。
The fact that many of these photographs were re-staged after the event greatly influenced Wang Qingsong and is evident in the careful composition and deliberate artificiality in his work.
王庆松则利用摄影创造出具有批判性和讽刺性的场景，不仅瞩目于中国本身，而且关注于他自己在面对世界问题时的立场。
On the other hand, Wang Qingsong makes use of photography and recreates critical and ironic scenes, not only focused on the Chinese context but also his position in the face of world issues.
可以说，王庆松的观念摄影作品就不是通过抓拍的方式去记录一种真实，而是通过摆拍的方式去呈现一种模仿的真实，一种虚拟的、营造的真实。
It can be said that the photographs of Wang Qingsong are not to record one truth through candid shooting. Instead, he applies the manner of theatrics to demonstrate an imitated and fabricated truth.
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