就是在这种情况下，我听到了王仁先的故事。
Knowing the circumstances, I heard the story about Wang Renxian.
女性形象是王仁杰剧作中最主要也是最鲜活动人的艺术形象。
The female figures are main artistic images with living and moving character in Wang Renjie's dramas.
从陆法言的193韵到王仁昫的195韵，再到《广韵》206韵，其间变化的性质很值得我们探讨。
The change from Lufayan about 193 Finals to Wangrenxu about 195 Finals and to 206 Finals in Guang Yun is worth inquiring for us.
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