Among them " the print creation " and " the proposition of art "are the focal point of this paper.
其中“版画创作”及“艺术主张”是本文重点。
参考来源 - 吴凡的版画艺术The printmaking would lose direction if print artists have no skill interests in creation.
版画家脱离技术趣味进行创作时，版画创作就没有了方向感。
参考来源 - 版画技法与情感表达探幽This paper intends, not to object to this limits, but to recommend the freedom of print making, from spiritual aspect, or in other words, to discuss the spiritual meaning of its unlimitedness.
本论文所涉及的论点并不是纯粹意义上的反对这种画种技术上的限制,而是提出版画创作的自由性,它是精神层面的寓意,也即试论版画的非限制性精神意义。
参考来源 - 论版画的自由性Image medium possesses obvious supriority,print adopting traditional medium obtain new development space by applying image,then enrich the present age print indite very much.
图像媒介具有明显的优越性,通过对图像的利用,使得作为传统媒介的版画获得了新的发展空间,从而大大丰富了当代版画创作。
参考来源 - 图像处理技术对版画创作的影响·2,447,543篇论文数据，部分数据来源于NoteExpress
版画家脱离技术趣味进行创作时，版画创作就没有了方向感。
The printmaking would lose direction if print artists have no skill interests in creation.
肌理作为版画创作中重要的语言形式，历来被艺术家们所重视。
Texture, which is the important language form in woodcut creation, is always valued by artists.
然而版画创作的特点是“间接性”，其过程不能忽视版材的制约。
However the print creation characteristic is indirect, its process cannot neglect the print material the restriction.
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