So the arabesque of the plot, as I say, is a matter of encountering bad object choices and overcoming them: -- neatness, busyness--choices which, by the way, are on the surface temptations.
于是剧情精妙的发展,就变成做出错误选择然后克服困难了:,简洁,繁琐,选择其实就是诱惑。
instead, he threw in a six-week-old puppy and said "keep it!" and ran away. So I got a puppy.
但他却扔进来了一只六个月大的小狗,说“养它吧!”然后跑掉了。于是我有了一只小狗。
So my student called Bernard Sadow up and asked him about his invention and he said, "Yeah, I was thinking, why don't we have wheels on suitcases?
于是我的学生打电话给伯纳德?沙度,然后询问了他关于发明的事情,他说道,是啊,我当时在想,我们为什么不能在行李箱上安轮子呢?
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