其《河岳英灵集》“序”、“集论”在“选”、“评”两方面都有重要建树。 他提出了“兴象”的诗美学范畴，成为对盛唐诗美的最好说明、阐解，也成为中国诗美学的重要范畴。

He puts forward special category of poetic aesthetics, which becomes the best illustration of aesthetics in prosperous Tang Dynasty and important category of Chinese poetic aesthetics.

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