只要构成他生活的材质还没有最后成形,它们就易于在成形的过程中骚动不安。
So long as the materials which go to form his life have not taken on their final shape they are apt to be turbulent in the process of their formation.
所以我选择裁掉大部分天空,因为让一片没有变化的材质占据画面的一大部分会显得不平衡。
So here, I chose to crop out most of the sky as it would just look unbalanced to have such an unvaried texture taking up a large portion of my image.
如果没有这个其他东西单独进行我们将会获得一种不错的同音材质,一种阻断的和弦在改变。
Without those other things running around we would have a good sort of model of homophonic texture, sort of block chords changing in that fashion.
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