还有，他们容忍产品瑕疵而日方不肯忽视，前老板沟口北野解释说。
Moreover, they tolerated manufacturing defects that the Japanese partner was unwilling to ignore, explains Osamu Mizoguchi, the former boss.
沟口健二关于幻念、苦难与不公等悲剧故事的晚期时代剧在西方受到了程度极高的接受。
Mizoguchi's late period films, with their tragic stories of delusion, suffering and injustice, were very well received in the west.
通过情景剧与社会问题的结合，沟口将五个不同人物的故事用统一的世界观贯穿在一起。
By mixing melodrama with social concern, Mizoguchi is able to follow five story strands while maintaining a world view that is consistently critical regardless of the individual outcomes.
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