从叙述方式、视点转换、人物对话等方面看，它不是向“民间”和“民族”的“撤退”和回归，而是对西方小说的拙劣摹仿。

Judged from the aspects of narrative modes and dialogues, the novel can be said to be a inferior parody of Western novels rather than a "retreat" and return to "folk" and "national" literature.

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对这一双重取向的探究，将构成一个观察明清民间社会变迁与过渡性社会群体角色转型的深度历史透视点。

Researches on the double trend will make up of a deep historical perspective point to the vicissitude of rural society and the conversion of the role in the metabolic society.

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