今天，遵从神性、秉承民族诗歌传统的诗人们，他们在虚幻光环的远处写着，就如隐者。

Today, poets who adhere to divinity and inherit the tradition of national poetry, they write at the distance of illusory nimbus, just like hermit.

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最后需要指出的是，本文以对民族性和诗性的思考贯穿全文，最终的落脚点却在民族诗歌的现代蜕变这一点上。

Finally what to need to be pointed out is, this article impenetrate with the thinking of nationality and poetry, the ultimate attention is the modern spallation of national poem.

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它是否代表了叶芝自己早期的文化民族主义，以及在《风中芦苇》和其他早期诗歌中所代表的作品？

Does it represent Yeats's own early cultural nationalism and the work represented in The Wind Among the Reeds and other early poems?

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While Milton decided against writing an explicitly political nationalist poem, he did see himself as writing a poem that performed some kind of political function.

尽管弥尔顿决定要写的不是,有政治性的民族主义诗歌，他也让这首诗,发挥了一定政治作用。

耶鲁公开课 - 弥尔顿课程节选

Does it represent Yeats's own early cultural nationalism and the work represented in The Wind Among the Reeds and other early poems?

它是否代表了叶芝早期,文化民族主义和苇间风里,收录的及其他一些早期诗歌？

耶鲁公开课 - 现代诗歌课程节选

Milton -- and we know this -- Milton was a political revolutionary, and when he anticipated writing the great poem, he consistently imagined that it would be a poem on a nationalist theme.

弥尔顿--我们知道--是个政治革命家，一直以来他所预想的这首伟大诗歌，的主题应该是民族主义的。

耶鲁公开课 - 弥尔顿课程节选