从叙述方式、视点转换、人物对话等方面看，它不是向“民间”和“民族”的“撤退”和回归，而是对西方小说的拙劣摹仿。

Judged from the aspects of narrative modes and dialogues, the novel can be said to be a inferior parody of Western novels rather than a "retreat" and return to "folk" and "national" literature.

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新时期家族小说在世纪之交与文化转型的双重紧张的氛围中，表现出作家反思和重新叙述民族历史的自觉意识。

Family novels in the new period showed writers 'reflection and consciousness of re-stating national history in the double tension atmosphere of turn of the century and Cultural Transformation.

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