新批评派成员维姆萨特、比尔兹利提出了意图谬见这一批评理论。
The New Criticism members Wimsatt and Beardsles analysed and criticized the intentional theory.
意图谬误“是文萨特与比尔兹利一起,为一本叫做《语言象征》的书,写的三篇文章中的一篇。”
In the book in which the essay "the Intentional Fallacy" appeared, a book called the Verbal Icon, Wimsatt collaborated with Monroe Beardsley on three essays, and this is one of them.
科尔在某种意义上来讲是拥有利物浦传统的球员:他是简洁,能快速转移,有短传能力的那种特质球员,比尔兹利说。
Cole is also in some ways a Liverpool player of the old school: a neat, fast-turning, short-passing creator with a mild hint of - say - Peter Beardsley about him.
So we try to remember to say "Wimsatt and Beardsley" even though it is Wimsatt who taught at Yale.
所以我们总说“文萨特和比尔兹利“,尽管在耶鲁教书的只有文萨特。
In the book in which the essay "The Intentional Fallacy" appeared, a book called The Verbal Icon, Wimsatt collaborated with Monroe Beardsley on three essays, and this is one of them.
意图谬误“是文萨特与比尔兹利一起,为一本叫做《语言象征》的书,写的三篇文章中的一篇。
You can see that when Wimsatt and Beardsley talk about the "success" of the poem, they understand the whole critical enterprise, - including its theoretical underpinnings-- the question of what is a poem, - the question of how should we best read it-- to be still geared toward literary evaluation.
大家应该发现,当文萨特与比尔兹利谈到,诗歌创作的“成功“一词时,他们完全理解了文学评论体系,这包括适用于文学评估的理论根基-,就是那些关于什么是诗歌,还有我们如何解读的问题-,这些都对文学评估很重要。
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