本论文试从女性主义角度解读凯特·肖班《觉醒》中的妇道、母性和自我。
This thesis attempts to analyze wifehood, motherhood and selfhood in Kate Chopin's the Awakening by feminist criticism.
很多批评家试图从女性主义视角出发匡正崇高，其评论产生了许多新术语：女性崇高、物质崇高、家庭崇高以及母性崇高。
Critics attempt to revise the previous errors from the feminist angle and produce a number of new terms: the feminine sublime, the material sublime, the domestic sublime, and the maternal sublime.
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