“我承认这不是我会天天去听的东西”他说，“它很宏大而歌剧化。”
"I wouldn't say it's something I would listen to every day, necessarily," he admits. "it's quite large and operatic."
《理发师陶德》[1979]——桑德海姆最歌剧化的作品[也是他唯一一部可以在歌剧院找到立足之地的作品]——再次采用了一个不同寻常的主题：复仇谋杀和食人肉。
Sweeney Todd (1979), Sondheim's most operatic score (and his only show to find a definite foothold in opera houses), once again explores an unlikely topic, this time murderous revenge and cannibalism.
上千年来，歌剧在意大利一直都是很普通的事物，直到它变成一种被商业化的项目。
Opera was commonplace in Italy for almost a thousand years before it became commercial as a venture.
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