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梅宾：艺术电影一般都专注于墙上的绘画，但你从没见过他们是怎麽挂在那里的。
AM: Art films generally focus on pictures on a wall, you never see how they get there.
梅宾：博斯摒弃制造明信片般完美的画面而采用刷涂粗糙不平颜料涂层的厚涂法。
Am: Bosch moved away from postcard-perfect images by applying rough layers of paint in a style that came to be called impasto.
阿德里安·梅宾：我们制作这部影片是为了配合2001年在鹿特丹的大型博斯回顾展。
Adrian Maben: We timed the film to coincide with a big retrospective of Bosch's paintings at Rotterdam in 2001.
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