梅宾：确实有这些噩梦般的图像但这是中世纪精神的一部份。
AM: It's true that there are nightmarish images from hell but this was part of the medieval mentality.
梅宾：艺术电影一般都专注于墙上的绘画，但你从没见过他们是怎麽挂在那里的。
AM: Art films generally focus on pictures on a wall, you never see how they get there.
梅宾：博斯摒弃制造明信片般完美的画面而采用刷涂粗糙不平颜料涂层的厚涂法。
Am: Bosch moved away from postcard-perfect images by applying rough layers of paint in a style that came to be called impasto.
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