栗原贞子最后一首史诗是如诗似诗，也是行事语言。

Shoda's last epic poem became just as performative as it was poetic.

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视觉和盲感是如何在峠三吉，正田筱枝和栗原贞子关于广岛的诗篇起作用？

How do vision and blindness operate in the poetry of Hiroshima by Toge, Shoda, and Kurihara?

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