本文以杨立青的管弦乐作品《荒漠暮色》作为研究对象，借用了中国画用墨技法中的三个名词“积墨、破墨、泼墨”来解释和阐述这部作品中的几种管弦乐配器技法。

This thesis take Yang's orchestral work, Desert at dusk, as his research object, rely on three words in Chinese painting, which was amass ink, break ink, spill ink, all for explain this skill.

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