本文第一部分，论述马蒂斯绘画与东方绘画形成同构性的社会的、艺术本体的以及马蒂斯个人的原因。
Section I discusses the social and personal causes as well as the causes in art itself bringing about the isomorphism between Henri Matisse's painting and Oriental painting.
最后又从音乐本体、社会、历史的角度，对出现这一现象的原因进行了探讨。
And then find the reason of the above phenomena from the aspects of music reality, sociality and history.
宗炳追随慧远并接受“形象本体”之学，这是形成《画山水序》前瞻性的山水画理论的内在原因。
Zong Bin followed Hui Yuan and accepted his "imaginary ontology". This was the innate reason of the perspectiveness in his Preface for Landscape Painting.
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