在艾斯克勒斯的剧作《降福女神》，她们是恐怖的歌唱队。尤利比提斯第一个指出她们是三个人。

Aeschylus made them the terrifying chorus of his tragedy Eumenides, and Euripides was the first to speak of them as three in number.

youdao

光是讲到埃斯库罗斯、欧里庇得斯和索福克勒斯的作品，我们甚至不敢说后人已经达到了他们一半的水准。

Just talking about the works of Aeschylus, Euripides and Sophocles, you cannot even say that you have attained half of their achievements already.

youdao

像洛克·菲勒、费尔普斯·斯托克斯这类的慈善家们鼓励为非裔美国人提供接受教育的机会，但是，南方地区和部分北方地区继续实行教育领域的种族隔离政策。

Philanthropists like Rockefeller, Phelps-Stokes, and others encouraged the education of Afro-Americans, but the South and part of the North continued the practice of racial segregation in education.

youdao

Well, of course,the most famous Greek case,I think of these things, is in Sophocles' play Oedipus the King, which illustrates it perfectly well.

尼弥西斯:希腊神话中司复仇的三女神的总称 关于这种情况,最著名的希腊案例,我想是,索福克勒斯的《俄狄浦斯王》,它对其进行了完美的阐述

耶鲁公开课 - 古希腊历史简介课程节选

By the first century, when Christianity was coming around, it was not so much the place where you'd go to see necessarily high theater, like Sophocles or Euripides or something like that.

公元一世纪，基督教诞生时，当时的剧院,上演的并不是什么高级戏剧，比如索福克勒斯或者欧里庇得斯的戏剧。

耶鲁公开课 - 新约课程节选

In other words, Freud, Sophocles, all of the other versions I have at my disposal, have equal merit as versions, but none of them is a transcendental signified, none of them is a blanket term, and none of them is the causal explanation or meaning of the myth.

换句话说，弗洛伊德，索福克勒斯，还有所有其它供我使用的版本，都用同样的优点，但它们中没有一个是超验所指，没有一个是概括性话语，没有一个是神话的随意解释或意义。

耶鲁公开课 - 文学理论导论课程节选