文学虚构就是指文学里有些是虚假的成分。虚构事实上不存在,而是作者根据表达需要创造的。虚构要符合历史事实和人物思想的逻辑。虚构是作者发挥充分的想象,虚构故事情节等。
In the period of modernism, many literary theorists and aesthetic theorists began to study the issue of literary fiction in terms of level of literary works.
到了现代主义时期,众多的文论家和美学家开始更多地从作品的层面思考文学虚构问题。
参考来源 - 文学虚构理论研究It should be pointed out that the images of China in her novels embody more sense of literary invention than that of historical reality.
她的中国意象书写在体现历史真实性的同时更多地在于其文学虚构性。
参考来源 - 真实与虚构之间的文学张力——论谭恩美小说中的中国意象书写·2,447,543篇论文数据,部分数据来源于NoteExpress
文学虚构不但能够满足人类的审美交流需要,还能满足我们超越现实、超越自我和扩展自我的需要。
Fictitiousness meets not only the need of human aesthetic communication but also the need of transcending the reality and the self and expanding the self.
文学虚构理论真正成熟的阶段是在现代主义时期。
The mature stage of the theory of literary fiction is in the modern period.
文学传媒化在催生媒体批评和长篇小说繁荣的同时,导致了文学虚构精神的丧失和文学自律性的危机。
On one hand, mediaization of literature has promoted the prosperity of media criticism and novels, on the other hand , it has led the loss of fabricating spirit and self-discipline of literature.
It probably is at least in part, but mainly it is probably intended to be fiction or fictionalized biography.
最少一部分是,可是结果大相径庭,大篇都是虚构或文学小说化了的自传。
Ultimately, we reach the conclusion that if we're to think of literature, we're to think of something that is made up: not something that is based on something but something that is made up.
最终,我们得到结论,如果我们要想到文学,我们就得想到虚构的一些事情,不是基于其它事情上的事情,而是虚构的一些事情。
All of Iser's work is grounded in the notion of literature as fiction.
伊瑟尔的所有作品持有文学即虚构的概念。
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