“挽歌”是古人送葬时,执绋挽丧车前行的人所唱哀悼死者的诗歌,产生于春秋战国时期的《薤露》、《蒿里》可称是挽歌之祖。(参见晋崔豹《古今注·音乐》)其内容无非是“鬼伯一何相催促,人命不得少踟蹰”(同上)之类,多鄙俗不文,然这首《挽歌诗》,却被主张“事出于沈思,义归乎翰藻”(《文选序》)的萧统选入《昭明文选》中,仅此即可见其文学价值与可读性。
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田园挽歌明显是所有诗歌类型中,最程式化,最具人工雕琢痕迹的诗种之一。
The pastoral elegy is clearly one of the most stylized and most self-consciously artificial of all of the poetic genres.
在他最后一本书《狄奥尼·索斯-酒神赞歌》(1889)中,有一首名为“阿里阿德涅的挽歌”诗,充满着痛苦与渴望。
In his last book, Dithyrambs of Dionysus (1889), Nietzsche included 'Ariadne's Lament', a poem full of pain and longing.
抒情诗:一种比较短小的用来表达作者个人思想或感情的诗。挽歌、颂歌、和十四行诗都是抒情诗。
Lyric: a poem, usually a short one, that expresses a speaker's personal thoughts or feelings. The elegy, ode, and sonnet are all.
Now the most distinguishing feature of Milton's elegy is the fact that it's a pastoral elegy.
弥尔顿这首悼亡诗最显著的特点是,它是一首田园挽歌。
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