第四单元《华夏的气韵》，展示迪尔曼·克瑞恩在中国拍摄的作品，提供给我们另一种观察中国的视点。
The fourth part the Artistic Conception of Chinese Nation, provides a perspective from Tillman Crane to observe China.
他通过画面所显示出来的作为拍摄者所具有的掌握一切的视点，在突出了一种全视的感觉的同时，也更强化了这种希区柯克式的悬念。
He USES the omnipotent viewpoint of the photographer to present an image that feels like a panorama but has a heightened Hitchcockian suspense to it.
本文介绍了一个标定摄像机响应曲线的算法，通过自动曝光的视点固定拍摄的视频序列标定摄像机响应曲线。
In this paper, we introduce another algorithm to do it, which USES an automatically exposed video sequence gathered at a fixed observing point.
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