这种感觉在你通过像我们的“飞翔”一样的塑料镜头去拍摄的时候更强烈。
It's exacerbated when you shoot through a plastic lens like the one on our fly.
他拍摄的无名十字路口和街道似乎给人一种超脱的感觉。
It seemed to heighten the sense of detachment in his photographs of anonymous intersections and streets.
韦拉斯哈古：我电影里的音乐是对拍摄时的感觉的参照，我们在拍摄现场，在取景的那一时刻，所听的音乐。
AW: the music in my movies refers to the time of the shooting, the music that we would listen to on the set, in the moment.
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