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The third way that we--that composers signal to us that we pick up almost intuitively the whereabouts of downbeats is through patterns of accompaniment. We'll call it range.

第三条途径,是作曲家给我们的信号,让我们几乎能马上挑出,哪个是重拍的途径,是通过伴奏的样式,我们称之为音域

耶鲁公开课 - 聆听音乐课程节选

Well,you can just--an engineer will just sit there and isolate that second of sound and then give a "times three" command and "boom," well,look at Pavarotti hold out that note.

嗯，你可以想象，工程师会只坐在那里，分离出的第二个声音,然后给了三拍命令和砰“,好吧，看帕瓦罗蒂能拖出那个音。

耶鲁公开课 - 聆听音乐课程节选

And all of those long notes are coming on the downbeat so that's how we start to hear that as a downbeat and that's how we know to make our hand go down at that point so that's one way.

所有的长音都出现在重拍上,这就是我们怎么判断出重拍,如何判断出该什么时候把手往下摆的,所以那是一条途径

耶鲁公开课 - 聆听音乐课程节选