在我看来，阿多诺的批判美学对中国当代的画坛意义更大。
In my view, Adorno's critique of contemporary aesthetics of Chinese painting more meaningful.
其二是立足个体生命的现实，从感性、自由、生存、生命、超越等立场反思美学，批判美学。
It was to re-think and criticize the aesthetics on the position of individual existence, including perception, living, life, freedom, and surmount.
《判断力批判》之所以在美学与艺术理论史上占有重要地位原因有两点。
Two reasons contribute to the significant place of the book in the history of aesthetics and art theory.
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