为了这种使命的实现，施托克豪森的有些作品必须要在星辰的照耀下演奏。
To ensure that contact, some of his pieces had to be performed under the stars.
当托马森•比彻姆爵士(Sir Thomas Beecham)被问及他是否曾指挥过任何施托克豪森的作品，他对此表示了否认，但他认为他可能曾经表演过一些。
Small wonder that Sir Thomas Beecham, asked if he had conducted any Stockhausen, said no, but he thought he might once have trodden in some.
比如说1964年的“麦克风一号”(Mikrophonie i)。这部作品的灵感是施托克豪森用调羹、圆底酒杯与煮蛋计时器(沙漏)敲打他的花园中的铜锣而激发的。
"Mikrophonie I" (1964), for example, was inspired by hitting the tam-tam that hung in his garden with spoons, tumblers and an egg-timer.
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