我的生活不曾取悦于我,所以我创造了自己的生活。
我的生活不曾取悦于我,所以我创造了自己的生活。
我的生活不曾取悦于我,所以我创造了本人的生活。
So when I'm writing the poem, when the poem is writing itself through me, at its best, I'm reading it; it is reading me.
所以,我在写诗时,或者说,当诗在通过我创造自己时,我在读诗,诗也在读我。
I really didn't know and I needed to have an answer to this question. So I created Star Festival with this team from MIT in order to try to answer this question.
我不知道,我需要一个答案,所以我和我来自麻省的团队,创造了,“七夕“项目,以回答这个问题。
So I went back to the great creator raising his plastic arm and suggested that, well, maybe after all there might be some good way of complicating the meaning of Akenside by suggesting that the modern, anachronistic meaning of "plastic" would be relevant to the sense of the poem.
所以我回想了一下,当这位伟大的创造家抬起他的塑料手臂,说,也许总有办法,能让Akenside的意思更复杂,有一个很好的例子就是,“plastic“一词古今意思的差别“,和诗歌的意境有关。
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