将这两件事联系在一起所隐含的社会价值观的转变,正是薇薇安娜·泽利泽的优秀作品《Pricing the Priceless Child》的主题。
The transformation in social values implicit in juxtaposing these two incidents is the subject of Viviana Zelizer's excellent book, Pricing the Priceless Child.
例如,一个与个人性格或情况挂钩的特定音乐主题,可能会在电影的几个转折点重复播放,以提醒观众电影所突出的主题或思想。
For example, a particular musical theme associated with an individual character or situation may be repeated at various points in a film in order to remind the audience of salient motifs or ideas.
In other words, we no longer say, "How does the author exert autonomous will with respect to the subject matter being expressed?"
换言之,我们不会再说,“作者是如何在尊重所要表达的主题的前提下,把独立的意愿加进去的?“
Milton -- and we know this -- Milton was a political revolutionary, and when he anticipated writing the great poem, he consistently imagined that it would be a poem on a nationalist theme.
弥尔顿--我们知道--是个政治革命家,一直以来他所预想的这首伟大诗歌,的主题应该是民族主义的。
But the story as it stands reiterates a motif that we've seen before: that of the threatened destruction of God's creation, or God's people by chaotic waters, and of divine salvation from that threat.
但是这段故事不断的重读我们前面见到过的一个主题:,上帝子民被汹涌的水所威胁,人们不断从那些威胁中的到拯救。
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