作为悲剧的美学特征，人的本质的必然要求和这个要求的实际上不可能实现之间的悲剧性冲突，对于一切悲剧文学都是适用的。
As the aesthetic character of tragedy, the tragic collision between the need of man's essence and this need in fact unable realizing is useful to all tragic literature.
马歇尔避免了二十世纪初抗议小说中典型的受压迫、与白人社会冲突的悲剧性女主人公。
Marshall avoided the oppressed and tragic heroine in conflict with White society that had been typical of the protest novels of the early twentieth century.
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