德国古典美学,从18世纪末到19世纪初, 由康德为始, 到黑格尔之间形成的一股强大的唯心主义美学。德国古典美学全面总结以往的美学历史经验,是马克思主义以前规模最大、最有严谨科学形态的美学思想体系。将辩证法和历史观全面引进,以抽象的哲学思辩尤其是黑格尔的美学,构成了马克思主义美学的思想来源。当时德国政经落后, 社会上依然是上升的资产阶级和没落的封建贵族之间的矛盾。德国古典美学是资产阶级的意识形态,他们主要目标是要把感性和理性结合起来寻求自由。
从鲍姆嘉登开始的西方美学在经历德国古典美学之后开始进入现代时期。
West aesthetics beginning from the time of Baumleden, passing through German classical aesthetics, has stepped into the modern age.
席勒美育思想作为德国古典美学的重要组成部分,为德国审美现代性建构做了巨大贡献。
As a important part of German Classical Aesthetics, F. Von Schiller's theory of aesthetic education played an tremendous role in constructing aesthetic Modernity in Germany.
德国古典美学审美解放的理论有两个特点:一,它是基于对人的理性本质公设的逻辑结果;
The theory of Aesthetic Liberation in German classical aesthetics has two characteristics: first, it is a logic result on the basis of the postulated rational essence in human being;
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