Meanwhile,the visual force structure is essential different from form implication. The inspiration of visual force structure theory for modern logo design is put forward.
同时,分析了标志的视觉力结构与形式意蕴的区别,得出了标志视觉力结构理论给现代标志设计的启示。
参考来源 - 论标志的视觉力结构·2,447,543篇论文数据,部分数据来源于NoteExpress
本文以藏传佛教艺术中最主要的绘画形式——“唐卡”的技法材料为主要研究对象,同时也必不可少地涉及到其艺术表现形式和审美意蕴。
In Tibetan Buddhism, the main art form of painting--thang khatechniques and materials for the main study, but also essential to involve the art form and aesthetic subjects.
按照时代顺序的脉络,对夏商周青铜器的造型形式,纹饰意蕴,铭文书法等审美特征进行分析。
In accordance with the time sequence context, analyze the shape decoration implication, inscriptions and calligraphy of the aesthetic characteristics.
它们是有生命的造型单元,有着形式和意蕴的双重审美价值。
They are live units, which carry dual aesthetic value of form and meaning.
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