他用半开玩笑的口气叫她阿耳忒弥斯和德墨忒耳①，还叫她其他一些幻想中的名字，但是苔丝不喜欢，因为她听不懂。

He called her Artemis, Demeter, and other fanciful names half teasingly, which she did not like because she did not understand them.

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一位先知告诉远征军的统帅阿伽门农，让他牺牲自己的女儿伊菲革涅亚，把她献给阿耳特弥斯。

A prophet told the commander of the expedition, Agamemnon, that he had to offer his daughter Iphigenia as a sacrifice to Artemis.

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阿尔忒弥斯常被描绘成手持弓和箭的女子，鹿是她的圣物。

Artemis was often depicted carrying a bow and arrows and the deer was sacred to her.

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It's as if Mary Astell were saying, "Well, Milton was on the right track. He simply didn't go far enough.

玛丽·阿斯苔似乎是在说：,“好吧，弥尔顿方向正确，只是行之不足。

耶鲁公开课 - 弥尔顿课程节选

Now it has to be said that Mary Astell's image of Milton is probably the product of a much closer reading of Paradise Lost than Lady Mary Chudleigh's was.

不得不说，玛丽·阿斯苔对弥尔顿有如此印象,很可能是因为她对《失乐园》的解读,比玛丽·恰德莱夫人的更加细致。

耶鲁公开课 - 弥尔顿课程节选

But Astell resents, of course, Milton here, and what she resents is the limitation of his subversiveness.

但很显然，阿斯苔对米尔顿也有反感，她反感的是弥尔顿的颠覆的局限性。

耶鲁公开课 - 弥尔顿课程节选