胡木英回忆起在学校的广告里收听开国大典时有多么兴奋，而后学习到公社的建立也是如此。
Hu remembers the excitement of listening to the founding ceremony on her school's radio; and, later, of learning about the creation of the communes.
在中国现代艺术史上，绘画中的形象被要求修改的事件数不胜数，董希文1953年创作的《开国大典》正是其中最具有代表性的案例。
Countless cases of modifying images in paintings could be found in Chinese modern art history, and Dong Xiwen's "Founding Ceremony of PRC" (1953) could be the most representative.
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