在接受《巴黎评论》的采访时，休斯推测，当一个人动笔在纸上写字时，“你会遇到你第一年所经历的严重阻力，那时你根本不会写字”。
In an interview with the Paris Review Hughes speculated that when a person puts pen to paper, "you meet the terrible resistance of what happened your first year at it, when you couldn't write at all".
在《巴黎评论》的一次采访中，海明威强调了形成创作节奏的重要性，他认为除非清楚第二天该如何开始，否则不可以结束一天的工作。
In an interview with the Paris Review, Hemingway emphasized the importance of building a creative rhythm, saying you shouldn't finish your work for the day unless you know how you'll start tomorrow.
您在与爱德华·赫希进行《巴黎评论》访谈中曾描述过您的朋友罗伯特·费尔普斯看完了这本书，取下那些不够格的，并将它们留在大厅里。
with Edward Hirsch, you describe this image of your friend RobertPhelps going through his books, taking down the ones that didn’t measure up andleaving them in the hall.
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