卡利什和费歇尔探访期间，有一名与阿丘阿尔人相熟的厄瓜多尔人充当向导和翻译。

During each of Kalish and Fisher's visits, an Ecuadorian man familiar with the Achuar served as guide and translator.

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根据费什尔的理论，因为我们每个人的构造不同，一些人着实比另外一些人容易做负心汉。

However, because we all have a different biological map, according to Fisher, some are more susceptible to cheating behavior than others.

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影片中科林·费斯饰演被严重口吃困扰的国王乔治六世，杰弗里·拉什则扮演一位非正统的澳大利亚言语治疗师莱昂纳尔·洛格。正是两位杰出的表演开启了我们愉悦的观影体验。

The pleasure starts with two magnificent performances: Colin Firth as King George VI, afflicted by a terrible stutter, and Geoffrey Rush as an unorthodox Australian speech therapist, Lionel Logue.

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The genius of Fish's reading of Milton's similes is to understand the particularly time-bound nature of Milton's verse.

费什解读弥尔顿的比喻的天赋,能够帮助我们理解弥尔顿的韵诗在特定时代下的本质。

耶鲁公开课 - 弥尔顿课程节选

So, Hartman and Fish have forwarded two perfectly ingenious theories of Milton's similes, and they've had a tremendous impact, rightly, on generations now of readers of Milton.

所以，哈特曼和费什提出了两个相当聪明的理论,给弥尔顿的两代读者，留下了深远的影响。

耶鲁公开课 - 弥尔顿课程节选

Fish imagines Milton as always on some level slapping the reader's wrist, reminding the reader of his or her fallen-ness, that there's a constant pedagogical correction going on.

费什想象弥尔顿总是在某种程度上斥责着读者们，提醒他们自身的堕落，并且诗中有一种持续的教育性的纠正在重复出现。

耶鲁公开课 - 弥尔顿课程节选