正如哈金所说，门德尔松作为一个作曲家，是一个“次要大师”。
As Haggin put it, Mendelssohn, as a composer, was a "minor master".
如哈格尔指出的，布林约尔松和麦卡菲确实在他们的书中提到了这一点。
As Hagel notes, Brynjolfsson and McAfee indeed touched on this point in their book.
门德尔松经久不衰的声望经常与他的批判立场产生矛盾，有时甚至是尖锐的矛盾。
Mendelssohn's enduring popularity has often been at odds—sometimes quite sharply—with his critical standing.
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