不过对艺术品造成破坏的不仅仅是人类的行为，湿度和温度的起伏就可能会对水墨画带来毁灭性打击、导致雕像产生裂痕。
But it is not just human beings that are hazardous to art collections. Humidity and temperature fluctuations might ruin an ink work or render cracks in a sculpture.
因此，尼采对现代性的批判由颠覆真理和道德的绝对价值、破坏真理和道德的话语霸权开始，以对艺术、审美的无限推崇而告终。
So Nietzsche's criticism to modernity begins with subverting the absolute value of truth and moral, destroying their words hegemony, and gives art the limitless high praise at the end.
这也能让我们越来越重视人对自然所造成的破坏，也许风景艺术能在这个中间起到一定作用。
It is also increasingly important to understand the damage we are causing to creation and maybe landscape art can play a role in this.
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